HERE is a great article in The Guardian about the work of Adam Lowe and his company Factum Arte. It includes an appreciation of the wonderful Cast Court galleries of the Victoria & Albert Museum:
The grandest spaces in the whole of the mighty Victoria and Albert Museum are the Cast Courts, built high enough to hold a full-scale replica of Trajan’s Column in Rome, which is colossal even in two pieces. No less imposing are the London museum’s 19th-century copies of Michelangelo’s David, not to mention its duplicates of Viking carvings and even the entire front of a Spanish cathedral. All these casts, which were recently cleaned, are a curious spectacle. Why did the Victorians create such a comprehensive “virtual art” collection? To make a clever point about a copy being just as good as the real thing – or simply to bring great work to the people?