Thursday, 30 October 2014
Posted by Matt at 20:34
Saturday, 18 October 2014
Friday, 17 October 2014
From the volume:
Further information about the artist from the Imperial War Museum:Viktor Olgyai studied under William Unger in Vienna and under Theodore Alphonse in Paris. As he originally intended to devote himself entirely to the graphic arts, and only later took up oil-painting, his technical knowledge of etching is remarkable. He is pre-eminently a draughtsman, and though his plates are finely toned, the most notable thing about them is their sense of line. Some of his best works are contained in an album of ten plates entitle 'Winter,' and other notable ones are The Oak, The Mill and Way of Cypresses.
Victor Olgyai (1870-1929) was born in Igló in Hungary. He worked as a painter and designer, and taught at the Graphics Department of the College of Fine Arts in Budapest. He died in Salzburg, Austria.
Posted by Matt at 19:16
Thursday, 16 October 2014
Tuesday, 14 October 2014
The ex Cambridge University physicist and educator Sanjoy Mahajan (of Streetfighting Mathematics renown), has been busy with an outfit called Center for Curriculum Redesign (CCR) which is here.
Mahajan has continued his interests in teaching maths and physics without rote learning methods - building on the pioneering work of Louis Benezet (1935), Etta Berman (1935) and Harold Fawcett (1938) also re-counted in Flener (2001) HERE.
His latest at the CCR is the following PDF - Maths, Methods & Tools.
Earlier proposals and great references are HERE.
It's great to see that he is still going strong and bringing our attention to the shortcomings of rote learning.
Posted by Matt at 20:52
Thursday, 9 October 2014
Here is a great site. A collection of wierd images from Google Earth - collected by the Brooklyn based artist Clement Valla.
From the INFO:
I collect Google Earth images. I discovered strange moments where the illusion of a seamless representation of the Earth’s surface seems to break down. At first, I thought they were glitches, or errors in the algorithm, but looking closer I realized the situation was actually more interesting — these images are not glitches. They are the absolute logical result of the system. They are an edge condition—an anomaly within the system, a nonstandard, an outlier, even, but not an error. These jarring moments expose how Google Earth works, focusing our attention on the software. They reveal a new model of representation: not through indexical photographs but through automated data collection from a myriad of different sources constantly updated and endlessly combined to create a seamless illusion; Google Earth is a database disguised as a photographic representation. These uncanny images focus our attention on that process itself, and the network of algorithms, computers, storage systems, automated cameras, maps, pilots, engineers, photographers, surveyors and map-makers that generate them.
Posted by Matt at 19:22